It is always a challenge to set a book in a location not familiar, in terms of everyday life. In fact one of my books (firmly unpublished and kept under the proverbial literary bed!) was set in Ancient Egypt. Some settings are so inspiring that they alone are the motivation to write an entire book. This happened with my novella, How to get Hitched in Ten Days. I’d visited an amazing fifties diner and instantly knew I just had to base a story in one. So what have I learned from the process of creating different settings, over the years? Well, I’m no expert but here are my top tips.

Firstly, it’s all in the detail. Take my undiscovered masterpiece (!) set in Ancient Egypt. I tracked down an egyptologist on line and they agreed to answer all my questions for £1 a pop. I was determined to make my book as authentic as possible. And I take the same attitude towards setting my stories in modern countries – even though I have visited Cornwall, Paris and Greece. A sure-fire way to guarantee authenticity and detail is to focus on the five senses. Take your readers on a complete, sensual journey.

Sight – don’t forget the small things. Like sand stuck to the bottom of shoes after a day out. A passing gull with a chip hanging from its mouth. The width of the kohl around the eyes of a pharoah. The different colours shooting across the sky during a sunset.

Sound – listen to a Youtube video filmed in the setting of your choice. The car horns in Paris. The donkey’s bray or chirping cigales in a Greek village. The fishing boat’s horn at a seaside resort. The sound of cheesy music from a passing ice cream van.

Smell – the stink of fish and seaweed as you walk through a harbour such as the one pictured above. The car fumes in Paris or wafting pastry smells from bakeries. Crocodile dung in Ancient Egypt! Close your eyes and imagine you are walking in your characters’ shadows. Think smoke from barbecues in the summer or aroma of hot red cinnamon wine if it’s cold.

Taste – oh yes, go to town with the food! The different textures and levels of spiciness or sweetness. All those details will really get the reader involved. How the food feels on the tongue. Is the aftertaste mild or bold?

Touch – wet sand squelching between toes. Scratchy beach grasses brushing against legs. Weather-beaten fishing boats. Scaly, slippery fish. Cobbled pavements under the feet. The sleek, smooth glass of glitzy buildings. The breeze through your hair by the coast or at the top of a landmark.

Below is an extract from my new Cornish book, as best friends, Kate and Izzy, drive towards Port Penny harbour:

“…the road narrowed into a path and we cut through the tiniest whitewashed stone cottages, with doll’s house doors and uneven foundations. The roads turned to cobbled avenues and I marvelled at cute plant pots in tiny front gardens. An occasional cat crossed our path, as I pointed out funny house names like Seas the Day and Sunnyside Up. Tens of gulls squawked above our heads and, as we approached the wide harbour, I breathed in a fishy stench, which hit the back of your throat.“

Secondly, also describe all the smaller aspects of the larger, more imposing parts of your setting. To do this I study Youtube videos and do lots of research online. Draw a map if that helps. I did this for Taxos, the Greek village in Game of Scones, and also for the stately mansion in Doubting Abbey. This will make it more real for you and, as a consequence, more real for your readers. Reading tourists’ reviews on TripAdvisor is also immensely helpful. I did this for my Greek book as I couldn’t exactly remember the details of Kos centre and I came across some vivid descriptions of various fountains and buildings – how safe or crowded or well maintained they were and what you could see from each angle. Also read local tourist guides and try to get a sense of the atmosphere surrounding big landmarks, to make the experience more personal.

In this extract, in From Paris with Love, Gemma is sitting on the steps of the Sacre Coeur:

“I gazed back down at the City of Light. When we’d first arrived, I’d just about been able to make out the details of roofs, chimneys and aerials. Now, however,everywhere was liquorice black, as if the starry sky had fallen to earth, just like that children’s story where Brer Rabbit thinks the moon has dropped into a pond. Lights twinkled and towards the right stood the sparkly Eiffel Tower.

I turned around, and gazed up at the awesome Sacre-Coeur church, illuminated by an amber glow. A Native American band played nearby, with their drums, flutes and pipes. Chat, laughter and ciggie smoke filled the air. Necking wine out of a bottle, a tramp sat next to us and directly in front was a group of camera-clicking Japanese girls.”

Thirdly, cut out relevant photographs and stick them above your desk, to really “get in the zone”. I did this with From Paris with Love as inspiration for the restaurant where a lot of the plot was based. I also posted up a copy of the Parisian underground. Don’t be lazy. Readers are educated people and won’t believe in the story if they spot an obvious mistake. Find the right Metro station to get off at the Eiffel Tower. Work out the exact time it will take a taxi to travel from the airport to your little Greek village.

Fourthly if you can, visit places in real life similar to your setting, if you haven’t actually been to the location. Doubting Abbey was inspired by the series Downton Abbey, and well after the book was published I managed a trip to Highclere Castle (see below). But the stately home in my story is quite different, and to get a taste of aristocratic life whilst doing the ground research, I visited Lyme Hall near me and took a tour of the house, writing notes on everything from the artefacts to door frames and just imagining how it must feel to live in such grandiose surroundings.

Finally… remember, a glamorous or particularly appealing or distinctive setting isn’t everything. For some novels the plot and characters carry the story and the setting, whilst important, isn’t such an crucial element. In Breakfast under a Cornish Sun it is significant because Kate Golightly heads off to that coast to find her very own Poldark (the fictional hero of a well-know Cornish book and TV series). Yet in my current work-in-progress (still under wraps, so I can’t give much away!) the setting is kind of incidental as the plot is about more of an emotional than physical journey for the characters.

As an aspiring author, I used to dream of the day I would hold my book in my hands – and smell it (or is that just me?!) I fantasized of Hollywood movie deals, glittery crystal awards, appearances on the Graham Norton show… Ha ha, yes, really. Of course lots of little dreams have come true since signing my deal and in many ways, it has fulfilled lots of my desires. Yet there are challenges I never expected, whilst having six books published. So here are my own tips for any authors who haven’t yet seen their work in print. I’m no expert by any means, but these things would have certainly been useful for me to know before my hopes became a reality.

DO accept that nowadays, no publisher is going to be the sole promoter of your work. Prepare for that now. Set yourself up a Facebook author page and Twitter account (er, okay, guess you have done that if you are reading this!) A large part of getting word out there, about your books, is going to be down to you. Consider your “brand” and start posting and tweeting about it, for example politics, family issues, cookery, crime… For me it is an array of fun subjects, including romantic heroes, movies,  cats,  and food and TV series relating to some of my books , including Downton, Poldark and Game of Thrones. Fill your social platforms with appealing and useful content that relates to you as an author. And network, network – retweet others who might then retweet you. Get to know bloggers.

DON’T expect all your writerly problems to magically disappear. Agreed, you no longer have the stress of trying to get published, but you will be faced with a different set of issues. In my experience, the years of trying to get an agent were a rollercoaster with the down of rejections and ups of an encouraging word – with full manuscripts being requested and then rejected and with meetings that got me excited then came to nothing concrete.  There are still peaks and troughs when published, for example great and bad rankings or brilliant and poor reviews. Keep your expectations realistic. Getting published won’t wave a wand over your life and extinguish every stress or concern.

DO treat your writing job as the career it is. Get professional. Find out about declaring earnings for tax purposes, however small they may seem at the beginning. Meet deadlines. Engage with your readers – both fans and critics – in a professional manner. As authors we are emotionally tied to our work but try not to let that creep into your dealings with others in the trade. Don’t respond to an insulting review or tweet. Don’t ping off a discontented email when your editor sends revisions that you think are way too thorough. Keep a calm head, even though almost anything to do with our stories pulls at our hearts.

DON’T refuse to compromise. Presumably two of the reasons you want to become published are to reach an audience and earn from your writing – and that means making sales. Editors and agents have a vast experience and getting published is, in some ways, just the beginning of learning everything you can – from them – about your craft and career. Whilst initial suggestions to changing your story or title might sting, I have usually found (after a couple of days drinking wine, in a darkened room) that they are spot on. Try not to be too precious. For example the original title for my second book, From Paris with Love, was “On Abbey’s Secret Service” (it is a standalone sequel to my bestselling debut Doubting Abbey).  It was hard to let go of my idea, but now I’m glad I did. The new title was far more search-engine friendly and commercial.

Finally DO enjoy every minute. Yes it is tough being an author in these times, the market is incredibly competitive and the goalposts are ever-changing, due to the revolution of the ebook. Plus there is always another social platform springing up that we are expected to use.  In my opinion, every challenging moment is worth it when you get lovely feedback from a reader or praise from your editor. Or when you experience the excitement of a launch – something I’m looking forward to with my upcoming July novel, Breakfast under a Cornish Sun. And never stop dreaming. I’m still secretly holding out for Graham Norton to come knocking at my door. In fact– one last tip – try to overcome shyness. Be assertive and proactive. And on that note, does anyone happen to have Graham’s number…?

I couldn’t ask for more and so appreciate everyone who bought and read the book. Above is a photo of me, on the night, with my lovely HarperCollins editor. I still think I’ve got that smile on my face!

One of the best things, about 2015, however, had been to meet so many lovely writers and bloggers. I’ve attended events organised by the wonderful Romantic Novelists Association and it’s been lovely to put some faces to names from the internet. Here I am with the fab Cathy Bramley, Trevor Williams, Karen Aldous and Holly Martin.

It’s also been a year for meeting things/people that have inspired me – this included a trip to Highclere Castle, as the series Downton Abbey inspired my 2013 debut Doubting Abbey…

… plus a night out in Manchester with the Dutch KLM flight attendant who inspired the character of Henrik in Game of Scones and its Christmas sequel.

… and a trip to… Ooh. Mustn’t give too much away! But here is a clue to my spring story, out soon!

Writing-wise – ie the craft itself – 2015 has been an exciting and challenging year. Game of  Scones took my writing in a more romantic direction and I wasn’t sure it was going to work. Plus I’ve had a few dark moments, on receiving revisions from my editor, wondering if I am up to the job. I’ve been challenged and feel/hope my writing has moved forward, otherwise what is the point?

I recalled recently, how my New Year’s resolution always used to be “to get published this year”, back in the old days when I was new to the business and a little naive. I mean, getting published isn’t as simple as that. So many factors out of your control are involved, plus you need a little luck. But of one thing I have no doubt – if you are determined and persevere, you will get there eventually. Your path might just be longer than others. But don’t give up.

Of course, finally getting published, doesn’t mean that all problems and disappointments stop there and whilst 2015 has been a wonderful year for me, I am well aware that you are only as good as your next book – and I have no idea what challenges 2016 will throw my way. Having said that, I already have several pieces of great news that I should be able to share in January, so watch this space And thanks, with all my heart, to all the people who have supported me and my writing this year. I’m eternally grateful. Here, have a cocktail on me!

I have just returned from a wonderful holiday in Cornwall, and on the way my family and I visited Highclere Castle – aka Downton Abbey. I did, of course, take along my debut novel, Doubting Abbey, and felt surprisingly emotional as I held it in my hands, standing in front of the wonderful gardens and beautiful building that inspired my story.

What a marvellous day. It lived up to all my dreams. The interior of the house was magnificent with lush furniture and carvings, exquisite paintings and each room told a story – not only of the TV series, but of the Carnarvon family members who have lived there, across generations. I particularly loved the library, with its terracotta, gold warm glow – such an inviting room and so many antique books in it. What also made it special was that even though the furnishings were grandiose, they were also worn in places, with gave a great feel of authenticity – the place hasn’t been given a glossy  makeover for the sake of tourists. It was easy to picture the actors there and various scenes I have seen during the series. One surprise was how small the front drive actually is, where the staff line up outside to welcome guests.

What’s more, I now understand why they limit guest numbers – whilst busy, it was pleasant to walk around, in and out, without huge queues and you could really soak up the atmosphere.

The Ancient Egyptian exhibition at the base of the house also makes sense now. I never realised that the 5th Earl of Carnarvon discovered the tomb of Tutankhamun alongside Howard Carter, and the history of his life and exhibition of artefacts was fascinating.

So if you get the chance, grab some tickets and visit this inspiring estate. I can’t wait to go back some day – and perhaps next time I will sneakily leave a copy of Doubting Abbey in the library…!