Aren’t these books gorgeous?!

As a graduate of Modern Languages it is fantastic to see my work translated.

The sequel, My Big Fat Christmas Wedding will be published there in October!

However sometimes you have to accept that there comes a point when it is best – it is the right thing – to let go of a project.

My ninth book, One Summer in Rome, is just about to be published and previous to my debut I wrote several other novels that are are firmly under my bed now. So why did I give up on them? Surely I could have improved and rewritten those stories?

Here are the main reasons, in my opinion, why for some stories the answer is no.

It’s your first ever book

Looking back I had a sense of entitlement with the first novel I wrote in 2005. What an achievement, I thought – and it was – but I decided completing my goal was enough to see it in print. And what a shock – and wake-up call – when the rejections came in. It had seemed like such a mammoth task to write those 90,000 words. How could I possibly waste them by starting something else?

Well, that’s the key to moving on without too many tears. Don’t see the discarded project as a failure or waste. I learnt SO MUCH from that first novel. At 90,000 words it only had four chapters, so that taught me about structure! When I wrote it I knew nothing about point of view or show not tell. It was full of autobiographical anecdotes. Very self-indulgent. And included a ridiculous storyline about making opium out of poppy seeds! I’m incredibly grateful, now, that it never found its way into the public arena.

I received one complimentary, personal rejection from an agent and that gave me the strength to start another book.

So don’t become too attached to your first-born. Statistically, the odds are that it may not get a deal.

And that’s okay. There’s usually a good reason.

Repeated negative feedback tells you the idea just isn’t strong enough

I have a folder of over 80 rejection letters that I’ve kept – to remind me, I suppose, that hard work and determination can bring rewards. But they are also tangible proof that there is a reason my discarded manuscripts are under my bed. Most of those letters are standard, thanking me for my submission BUT… the rest of those letters is inconsequential. The bottom line was that the manuscripts just weren’t different or good enough.

Perhaps the characters and plot are too thin. Maybe your writing still isn’t where it should be. Go on courses. Read How To books. Get feedback from fellow writer friends you trust. I don’t know a single writer that has persevered and persevered and not eventually succeeded in getting a deal.

If you manage too receive personal feedback from an agent that suggests revisions that’s fantastic, but be careful. One once showed great interest in one of my projects. She didn’t like the first draft so I totally rewrote the story and it lost its heart. The agent liked that version even less and by that point I didn’t know what the novel was anymore.

The whole process was heartbreaking but it taught me a valuable lesson – don’t jump straight in to a rewrite, exciting as it can be if you think you might be on the cusp of getting representation. Get another view as well, perhaps from a beta reader or literary consultancy. Ultimately it might just be better to cut your losses and start another project. Rewrites are time-consuming.

Another idea comes along…

Sometimes you might want to ditch a project a few chapters in but feel this would be a waste. SEE ABOVE – nothing is wasted when you are writing, it is all improving your craft. In 2015 I started writing a Christmas book. It was going to be a wedding story related to my debut Doubting Abbey. It was to be a fun story called My Big Fat Frozen Wedding (I wonder if Frozen themed weddings are a thing!) However a few chapters in, an idea came into my head for a sequel to my summer bestseller Game of Scones. I felt more passionate about that so, after talking to my editor, took the decision to shelve the Frozen idea and My Big Fat Christmas Wedding was born.

Follow your instincts. Readers will notice if your heart isn’t in your work.

Your book won’t ever fit the market

It’s a difficult one, this. Write completely for the market and your work may not come across as sincere. I follow my gut but keep one eye on what is selling. It’s a compromise.

I didn’t with one book that – admittedly – I’ve found very hard to let go of over the years. I’ve rewritten it numerous times (and if your gut strongly tells you to give your project another go I blogged about tackling major rewrites here). I’ve submitted it every few years. But finally I’ve accepted it’s place is permanently under my bed. It’s a romcom set in Ancient Egypt. I loved writing it and doing the research but publishers just don’t know how to place it. It’s very quirky and not one hundred percent romance. There are other issues. It would be a risk to invest.

But here’s the thing – you can always cannibalise your old scripts and take ideas from them to use in new stories. The two main characters in my Egyptian book were young executives and formed the basis for Pippa and Henrik in Game of Scones.

In fact, Game of Scones was originally set in heaven (don’t ask!) It was a flat NO from my editor. At the time there was a question over whether paranormal romance was selling. So I let go of that idea and wrote a different story, set in Greece, that went on to sell 100,000 copies.

Don’t see discarding a project as failure. It will have taught you so, so much about writing and the submission process. Be brave and stash it under your bed. Move on to your next exciting challenge. It is hard and, for me, parting company with those much loved babies often brought tears.

But never forget that those unpublished manuscripts are an incredibly valuable and worthwhile part of your journey.

It is always a challenge to set a book in a location not familiar, in terms of everyday life. In fact one of my books (firmly unpublished and kept under the proverbial literary bed!) was set in Ancient Egypt. Some settings are so inspiring that they alone are the motivation to write an entire book. This happened with my novella, How to get Hitched in Ten Days. I’d visited an amazing fifties diner and instantly knew I just had to base a story in one. So what have I learned from the process of creating different settings, over the years? Well, I’m no expert but here are my top tips.

Firstly, it’s all in the detail. Take my undiscovered masterpiece (!) set in Ancient Egypt. I tracked down an egyptologist on line and they agreed to answer all my questions for £1 a pop. I was determined to make my book as authentic as possible. And I take the same attitude towards setting my stories in modern countries – even though I have visited Cornwall, Paris and Greece. A sure-fire way to guarantee authenticity and detail is to focus on the five senses. Take your readers on a complete, sensual journey.

Sight – don’t forget the small things. Like sand stuck to the bottom of shoes after a day out. A passing gull with a chip hanging from its mouth. The width of the kohl around the eyes of a pharoah. The different colours shooting across the sky during a sunset.

Sound – listen to a Youtube video filmed in the setting of your choice. The car horns in Paris. The donkey’s bray or chirping cigales in a Greek village. The fishing boat’s horn at a seaside resort. The sound of cheesy music from a passing ice cream van.

Smell – the stink of fish and seaweed as you walk through a harbour such as the one pictured above. The car fumes in Paris or wafting pastry smells from bakeries. Crocodile dung in Ancient Egypt! Close your eyes and imagine you are walking in your characters’ shadows. Think smoke from barbecues in the summer or aroma of hot red cinnamon wine if it’s cold.

Taste – oh yes, go to town with the food! The different textures and levels of spiciness or sweetness. All those details will really get the reader involved. How the food feels on the tongue. Is the aftertaste mild or bold?

Touch – wet sand squelching between toes. Scratchy beach grasses brushing against legs. Weather-beaten fishing boats. Scaly, slippery fish. Cobbled pavements under the feet. The sleek, smooth glass of glitzy buildings. The breeze through your hair by the coast or at the top of a landmark.

Below is an extract from my new Cornish book, as best friends, Kate and Izzy, drive towards Port Penny harbour:

“…the road narrowed into a path and we cut through the tiniest whitewashed stone cottages, with doll’s house doors and uneven foundations. The roads turned to cobbled avenues and I marvelled at cute plant pots in tiny front gardens. An occasional cat crossed our path, as I pointed out funny house names like Seas the Day and Sunnyside Up. Tens of gulls squawked above our heads and, as we approached the wide harbour, I breathed in a fishy stench, which hit the back of your throat.“

Secondly, also describe all the smaller aspects of the larger, more imposing parts of your setting. To do this I study Youtube videos and do lots of research online. Draw a map if that helps. I did this for Taxos, the Greek village in Game of Scones, and also for the stately mansion in Doubting Abbey. This will make it more real for you and, as a consequence, more real for your readers. Reading tourists’ reviews on TripAdvisor is also immensely helpful. I did this for my Greek book as I couldn’t exactly remember the details of Kos centre and I came across some vivid descriptions of various fountains and buildings – how safe or crowded or well maintained they were and what you could see from each angle. Also read local tourist guides and try to get a sense of the atmosphere surrounding big landmarks, to make the experience more personal.

In this extract, in From Paris with Love, Gemma is sitting on the steps of the Sacre Coeur:

“I gazed back down at the City of Light. When we’d first arrived, I’d just about been able to make out the details of roofs, chimneys and aerials. Now, however,everywhere was liquorice black, as if the starry sky had fallen to earth, just like that children’s story where Brer Rabbit thinks the moon has dropped into a pond. Lights twinkled and towards the right stood the sparkly Eiffel Tower.

I turned around, and gazed up at the awesome Sacre-Coeur church, illuminated by an amber glow. A Native American band played nearby, with their drums, flutes and pipes. Chat, laughter and ciggie smoke filled the air. Necking wine out of a bottle, a tramp sat next to us and directly in front was a group of camera-clicking Japanese girls.”

Thirdly, cut out relevant photographs and stick them above your desk, to really “get in the zone”. I did this with From Paris with Love as inspiration for the restaurant where a lot of the plot was based. I also posted up a copy of the Parisian underground. Don’t be lazy. Readers are educated people and won’t believe in the story if they spot an obvious mistake. Find the right Metro station to get off at the Eiffel Tower. Work out the exact time it will take a taxi to travel from the airport to your little Greek village.

Fourthly if you can, visit places in real life similar to your setting, if you haven’t actually been to the location. Doubting Abbey was inspired by the series Downton Abbey, and well after the book was published I managed a trip to Highclere Castle (see below). But the stately home in my story is quite different, and to get a taste of aristocratic life whilst doing the ground research, I visited Lyme Hall near me and took a tour of the house, writing notes on everything from the artefacts to door frames and just imagining how it must feel to live in such grandiose surroundings.

Finally… remember, a glamorous or particularly appealing or distinctive setting isn’t everything. For some novels the plot and characters carry the story and the setting, whilst important, isn’t such an crucial element. In Breakfast under a Cornish Sun it is significant because Kate Golightly heads off to that coast to find her very own Poldark (the fictional hero of a well-know Cornish book and TV series). Yet in my current work-in-progress (still under wraps, so I can’t give much away!) the setting is kind of incidental as the plot is about more of an emotional than physical journey for the characters.

Recently, my lovely editor at CarinaUK gave a talk at a book event and tweeted this photo of one of her slides. The line on the left represents how people feel the road to success progresses. The one on the right represents what it actually looks like. And I would definitely say that is true in my experience.

I’ve had a long and rocky road to publication and penned my first novel in 2005. The very first agency I sent it out to was Darley Anderson. It came back with a swift, standard rejection letter (thoroughly deserved). To my disbelief, ten years later, I have just signed with this agency, a moment of success for me. But the line of progress in between those two dates has certainly been squiggly, with ups and downs and moments where I felt I was going around in circles.

Whilst completing a first novel is a huge achievement, it represents the beginning of a long and tough journey only those with a thick skin will complete. I wrote novel after novel that got rejected. Sometimes the line of my progression halted when I declared I’d give up my dream of becoming a published author. Of course, that was like declaring giving up food or water – the compulsion to write is in my bones and I never stopped for longer than a couple of days.

Then in 2011 my line progressed a little further. I sold my first short story to a women’s magazine. I went on to sell over 50 to the People’s Friend. In 2013 publisher Alfie Dog Fiction brought out a collection of my short stories in paperback and Kindle form, called Sweet Talk. That was super-exciting and a huge boost to my confidence and my little line edged a further forwards. I even bagged a great romance agent so, on the surface everything looked like it was going to plan.

However lots of squiggly bits were happening at the same time. I failed to sell more than a couple of stories to Woman’s Weekly, for example and the first novel my agent submitted didn’t find a publisher. Despair set in time and time again. In publishing, I find that highs are often followed by lows and then circles where nothing seems to change for a while and then you might hit another high. The one constant is that words, with hope, continue to be written. Smaller successes become very important such as a lovely comment from a reader or an encouraging line from a publisher who rejected but nevertheless enjoyed your work

And then in 2013 I landed a deal with CarinaUK, thanks to my then-agent and my debut book Doubting Abbey. It got shortlisted for an award. Then my bestselling summer 2015 book Game of Scones actually won an award. For a while the squiggles straightened themselves out which was thrilling for me.

But, of course, my line still isn’t as straight as in the left of that slide screenshot. Some books sell better than others. Bad reviews still come in. I have a long way to go. In my opinion, you are only as good as your next book, not your last. A writer can never, ever become complacent. I am working harder than ever now, with my first novella out on the 11th February, How to Get Hitched in Ten Days. This will be followed by my summer novel Breakfast at Poldark’s in July and after that, who knows…

I guess that means the squiggly bits are important. They prepare you for the lows and make a writer realize that above all, determination and perseverance rule the day. So if you are going through a down or circular bit at the moment, don’t worry. Everyone has been there, it just doesn’t look like it on the surface. Look at all the rock bands who disintegrate and then re-form years later. Or the politicians who fall out of favour but make a comeback. Life is messy – just like squiggles. The important thing is that you are trying, maybe sometimes failing, but picking yourself up, learning and then moving forwards again, even though that may not be in a perfectly straight line.
As Robert H Schuller said:
“Better to do something imperfectly than to do nothing flawlessly.”

I couldn’t ask for more and so appreciate everyone who bought and read the book. Above is a photo of me, on the night, with my lovely HarperCollins editor. I still think I’ve got that smile on my face!

One of the best things, about 2015, however, had been to meet so many lovely writers and bloggers. I’ve attended events organised by the wonderful Romantic Novelists Association and it’s been lovely to put some faces to names from the internet. Here I am with the fab Cathy Bramley, Trevor Williams, Karen Aldous and Holly Martin.

It’s also been a year for meeting things/people that have inspired me – this included a trip to Highclere Castle, as the series Downton Abbey inspired my 2013 debut Doubting Abbey…

… plus a night out in Manchester with the Dutch KLM flight attendant who inspired the character of Henrik in Game of Scones and its Christmas sequel.

… and a trip to… Ooh. Mustn’t give too much away! But here is a clue to my spring story, out soon!

Writing-wise – ie the craft itself – 2015 has been an exciting and challenging year. Game of  Scones took my writing in a more romantic direction and I wasn’t sure it was going to work. Plus I’ve had a few dark moments, on receiving revisions from my editor, wondering if I am up to the job. I’ve been challenged and feel/hope my writing has moved forward, otherwise what is the point?

I recalled recently, how my New Year’s resolution always used to be “to get published this year”, back in the old days when I was new to the business and a little naive. I mean, getting published isn’t as simple as that. So many factors out of your control are involved, plus you need a little luck. But of one thing I have no doubt – if you are determined and persevere, you will get there eventually. Your path might just be longer than others. But don’t give up.

Of course, finally getting published, doesn’t mean that all problems and disappointments stop there and whilst 2015 has been a wonderful year for me, I am well aware that you are only as good as your next book – and I have no idea what challenges 2016 will throw my way. Having said that, I already have several pieces of great news that I should be able to share in January, so watch this space And thanks, with all my heart, to all the people who have supported me and my writing this year. I’m eternally grateful. Here, have a cocktail on me!

This book is the standalone sequel to bestselling Game of Scones, and I can’t wait for you to reacquaint yourselves with feisty scone-maker Pippa, exotic fisherman Niko and suave property developer Henrik – or to meet them for the first time

So, here it is… shield your eyes against the sparkles! Find the blurb below.

Things don’t always run smoothly in the game of love…

Former hot shot city girl Pippa Pattinson loves her new life of rustic simplicity, running a quaint teashop on a sleepy Greek island with her hot fiancé, Niko. But it’s been a quick change to slow living – and you can’t blame a girl for wondering, ‘how did I get here?’

As her Christmas wedding approaches, a trip back to snowy England for her ex’s engagement party makes her wonder if those are wedding bells she’s hearing in her mind, or warning bells. She longs for the excitement of her old London life – the glamour, the regular pedicures. Can she really give that all up to be…a fishwife?

There’s nothing for it but to throw herself into bringing a little Christmas magic to the struggling village in the form of a Christmas fair. Somewhere in amidst the sparkly bauble cakes and stollen scones, she’s sure she’ll come to the right decision about where she belongs…hopefully in time for the wedding…

Perfect for fans of Lindsey Kelk and Debbie Johnson, you won’t want to miss the Christmas Wedding of the year!

Cathy, tell me, how are recipes relevant to the Wickham Hall Story?

I have always included recipes in each of my series as the stories lend themselves so well to food of one sort or another! Wickham Hall is my new series based around the goings-on in a stately home which is open to the public. For me, a day trip to a beautiful hall is never complete without a slice of cake in the café. Wickham Hall has the Coach House Café where lots of the action happens and so it was natural for me to include lots of lovely cake recipes – your glittery scones fit in perfectly!

Ooh, afternoon tea in a stately home – sounds perfect! And what is your favourite afternoon cake?

My favourite would probably be a slice of Victoria sponge with strawberry jam and fresh cream in the centre. Yum!

Yum indeed! What about eating cake at home – are you a good baker or have you had any disasters?

I class myself as a good family baker, i.e. I cook for the family but I’d never be tempted to do anything fancy! I’ve had plenty of disasters, usually arising from me not reading the recipe properly and missing out something vital like sugar!

Well, best of luck with the book, Cathy – the cover is absolutely adorable.

If anyone would like to know more about Cathy Bramley, please check out her website here!