For those of you not part of the publishing world, a beta reader looks at the manuscript before it is published/ your agent or editor takes a look. Mine is quite hands on, critiquing as I go along as well. She also happens to be my daughter! She graduated last year with a degree in English Literature and as part of that studied a module in Creative Writing. I decided to take advantage of her living at home during lockdown and asked if she’d consider taking this book on.

It’s been an absolute joy, I’ve agreed with most of what she’s suggested, and now I’m asking myself why I’ve never considered having a beta reader before. Many authors I know have critique partners and/or beta readers but it’s something I’ve always shied away from. Writing a book is a very personal process. However, before any of my work gets published it goes through rigorous appraisals by my agent and editors and I’ve become used, over the last 8 years, to receiving criticism.

Which is just as well. I still want to be talking to my daughter at the end of this process!

What have I found to be the benefits of having a beta reader?

As the author you can be so close to your work that you don’t see the obvious flaws… So the main benefit is, hopefully, that by having a beta reader you will eliminate the stand out problems earlier on in the process, before you rewrite, polish and send off the manuscript to your agent and/or editor. It’s always easier and less disheartening to unpick character development or plot sooner rather than later. 

This should mean that, organically, you are shaping the manuscript to a higher standard right from the start.

Specific examples

Book 16 is a subtly different in style and my beta reader is helping me realise this new direction, pointing out where I’ve slipped into old habits.

The structure of the book is not simply chapter after chapter all the way through, and it’s been great having her take on this as to whether it works or not, or adds anything of real value to the story.

Very importantly it’s been great to get feedback about the main characters and whether the ones I want the reader to like and root for appeal in some way, that their motivations resonate, even though their actions might be shocking or questionable.

Crucially, whether the pace is right – chapter after chapter of emotion and drama, for example, can leave a reader exhausted if there are no breaks. And does she want to read on? Is it boring in any part?

She’s made suggestions about aspects I’d hadn’t considered – for example regarding characters that my protagonist has moved away from who, in my beta reader’s opinion, should still be part of the story.

And, of course, above all else… has my storytelling made her become invested in the story? Has she enjoyed it? 

All of this has been coupled with praise when pertinent. Now and then my daughter doodles a heart by a section she’s especially liked and this is such a boost and inspires me to keep doing my best.

And the drawbacks?

I can’t think of any – but then I’m 16 books into my career. If you are just starting out and haven’t had much experience of criticism, try not to take it personally, don’t let it dampen that heady passion we all feel when writing the first draft. Remember, any points that you agree with are only going to make your story stronger.

However also remember – it’s YOUR book. I don’t agree with everything suggested by my beta reader, by my agent or editors. Be honest enough to accept what you’ve written can be improved upon but, at the same time, listen to your heart if their view on something particularly rallies against yours.

What would my advice be to any writer considering taking on a beta reader?

Choose someone you absolutely trust with your work – not to talk about it with anyone else, or chat about it online. 

Pick someone who can be completely honest with you and be tough where necessary. The beta reader has to be able to criticise you without fear of reprisal! 

Make sure they understand the commitment – it’s a fair few hours of reading and commenting. You don’t want them to regret agreeing to help, or to drop out halfway through. 

I’ve still a fair way to go but am looking forward to when Book 16 is completed, as she’s a fast reader and is going to read the book in one go. This could throw out a fresh set of problems that I’m excited to address before my agent sees the story.

An author must never get complacent, must always keep striving to improve and expand their knowledge about the craft, and learning from my daughter has been such a rewarding part of this latest journey I’m trying to think up bribes for her to stay at home for as long as possible!

Aren’t these books gorgeous?!

As a graduate of Modern Languages it is fantastic to see my work translated.

The sequel, My Big Fat Christmas Wedding will be published there in October!

I realise that my writing is a hugely important constant in my life. It’s got me up in the morning. It’s kept me busy. My latest work in progress, and watching it unfold, has given each day a sense of normality and continuity. It has been a distraction from the chaos and tragedy happening around me locally and in the world. I’m incredibly grateful for this. Writing is my friend. It’s given me a purpose and passion at this very challenging time.

More than ever I respect the romantic comedy genre. During lockdown my thirteenth book, The Summer Island Swap has been published and reviewers have kindly said what a welcome escape the story is from our current difficult situation. I’ve had comments like these before about my books, as other romcom authors will have, from readers who’ve been having a hard time and found that such stories give them a momentary break. There is a certain snobbery out there towards romance books but lockdown has shown clearly how much people need fictional escapism and happy-ever-afters when the real world is a scary place.

Writer’s block – I’ve always written through it before and have done so again these last months. When the pandemic was unfolding in the UK, in late March, and throughout April and May, I had to write my Christmas 2020 novel. I soldiered on, putting finger to keyboard, telling myself that was the main thing, the rewrite could sort out any mess. But this time I discovered writer’s block on a whole new level. Yes, I eventually achieved the wordage I wanted but I felt blocked when it came to working out the structure of the overall plot arcs and the pace. With daily mortality rates and Covid 19 guidelines appearing minute by minute on social media, with daily worries on a personal level, I just couldn’t focus. So I guess lockdown has shown me that writer’s block isn’t as simple as I once thought. It’s not just about not being able to increase that word count. It’s also about not being able to get your head around the big things like developing character and expanding the themes.

And leading on from this I appreciate my agent more than ever. I’ve always thought she was amazingly supportive, especially with the editorial support she offers, but recently I’ve felt I need it on a different level. Her fresh pair of eyes has been able to offer perspective on the bigger aspects of the story and she’s given me confidence in what I’ve written. Between us I feel we’ve really been able to shape that sticky first draft  into a book I’m so excited about and can’t wait to share in October!

I’ve also appreciated her support around the fact that due to lockdown, I struggled to meet my deadline and needed her to ask for it to be pushed back a bit. All the editors I’ve ever worked with have been brilliantly flexible about this but still, it’s been great, during lockdown, to have one less thing to worry about.

Authors sometimes ask me about my view on agents. I find mine indispensable.

Finally, I’ve always thought of myself as a bit of a hermit writing from home, reading, watching Netflix in the evenings… however during lockdown I’ve been surprised at just how much I miss meeting up with my writing friends in real life. A group of us have coffee together in Manchester once a month and haven’t been able to do that for ages. Plus the Romantic Novelists’ Association is celebrating its Diamond Anniversary this year and has had to cancel various events, including a special summer party in June. I last saw my romance friends at an awards ceremony at the beginning of March and had such a lovely time. Social media is great but there’s nothing quite like a face to face chat where you can discuss things you might not want to share online, and have a good-humoured chat about the latest ups and downs of your career.

To sum up, due to lockdown, I’m more grateful than ever for my writing and the people connected to the industry who support it – my agent, my fellow authors, the readers who give feedback.

It’s been a horrendous time so any positives are welcome. And I end this post sending my thanks to keyworkers and love to everyone who’s been struggling.

This doesn’t mean to say that authors aren’t facing challenges. Especially those of you looking after ill relatives or home-schooling young children – or for whom writing isn’t your full-time work and you are trying to juggle the demands of another job from home. Hats off to you all.

We’re sensitive souls and in my experience turmoil in real life heavily impacts on creativity. And I speak personally, having a deadline at the end of May that I’ve got to meet and am struggling with.

So here are my five tips to keep working.

Firstly – and  most importantly – be kind to yourself. By this I mean don’t beat yourself up if you miss a daily word count goal. We’ve got to get through this lockdown as best we can. As the UN General Secretary said, it’s the biggest challenge for the world since World War Two. So don’t consider yourself a failure if you are slipping behind. We all have less head space at the moment. Other priorities have come to the fore.

Secondly – take it one day at a time. Try not to look too far into the future. I have a deadline for my Christmas book on the 25th May. In all honesty I’m not 100% sure I will make it. The best way I can cope is not to think about that. I just look at each day. See what I can achieve. Do my best to congratulate myself that slowly the word count is mounting up.

It reminds me of when I got help in 2016 for my mental health. I used to worry about the future and past way too much.  The man who got me sober told me off for thinking I had a crystal ball. Treatment taught me there is absolutely no point in wondering and worrying about what might be. There is no point in trying to second-guess when lockdown might end. There is no point having sleeping nights about whether you will hit your deadline. Worrying won’t alter what happens. So just keep ploddng on, little by little, in the present moment.

In fact a lot of what I learnt to get sober and in AA is helping me enormously.
One day at a time. Keep on keeping on. Accept the things you can’t change. Keep it simple.

Thirdly – structure your week. Even though my Christmas deadline is pressing, and I have promotional work to do for my summer novel, The Summer Island Swap, coming out on the 7th May,  I do not work at weekends, apart from a little social media. I bake. Read. Watch movies. My family and I dress up for dinner on a Saturday to try to  make the weekend feel different (this means I wear jeans instead of joggers!) As a result I feel really fresh Monday morning and keen to carry on with my project.

I also try to think of my working week as having some sort of structure – Tuesday morning I do a food bank drop-off, Thursday night I do the NHS clap, Monday and Tuesday evening I watch EastEnders… it may sound silly but thinking of the week in that way gives me a degree of normality and stops the whole of lockdown just looking like an endless void.

And make sure you take that daily exercise. A cycle ride. A walk in the sunshine – or rain! That gives your days structure as well.

ROUTINE, ROUTINE, ROUTINE is proving to be my saviour. I listened to the dawn chorus the other morning. It struck me that whatever happens the day before, the birds still get up at the same time and sing their song. And that’s what I try to do. No lie-ins or late, late nights.

Fourthly – just get anything down. This attitude has REALLY helped me forge ahead with the first draft. I’ve found it so difficult to concentrate and hold the plot lines together, everything seems muddled in my head what with catching snippets of Coronavirus news on social media… so even if I think it’s rubbish, I type, type, type. THERE IS ALWAYS THE REWRITE to pull everything together.

Finally – take regular breaks from the key board. Perhaps spend longer than usual preparing a delicious lunch. Ring a relative or friend – you’ll both feel better. Treat yourself whether that is with a daytime soap or a read with coffee and biscuits. And take an extra long break if you’re really struggling more than usual. Yesterday I just couldn’t concentrate after a few hundred words, so I did some baking, rang a relative and took a walk. And there’s no shame in that. Tomorrow is another day.

I’ll always think of my 2020 Christmas novel as the one I wrote during lockdown. From that point of view it will have been the hardest I’ve ever written. Yet, at the same time, I’m grateful for the escape it is offering me and us writers are lucky to have that outlet. More than ever I’ve enjoyed disappearing into the cosy festive environment I’ve created.

Best of luck with your projects and spending part of the days ahead in your fictional worlds. I know it’s hard but you can do it and start by being kinder to yourself

When I found out, a while back, that my book Knowing You, from publisher Canelo, had been shortlisted that was exciting enough. I genuinely never expected to win as all the other contenders in this category were so strong.

It was a glittering event, with sparkles on dresses and in glasses, held at the Leonardo Royal London City hotel in Tower Bridge, London. I got there very early with my husband, so in my black faux fur coat I headed off to Starbucks for a fortifying hot chocolate. We got back to the hotel at 5 and I headed upstairs for the formal photographs. Then my husband, along with everyone else, came up at 6.30.

What a wonderful ceremony. Charming Anton du Beke from Strictly Come Dancing was there, as a nominee, along with author legends Sophie Kinsella and Carole Matthews, and comedian and author Jenny Eclair presented the awards. The wonderful Jane Wenham-Jones, looking amazing as usual, hosted.

My award was handed to me by Jackie Collins’ granddaughter – an absolute honour. I am so thrilled (no pun intended), however tenuous the link, to be connected to her inspirational grandmother.

The ceremony passed in a daze – I sat there, feeling a little tearful I admit, and just so happy, wondering how this could have happened. Writing is an up and down career and the moments like this make it worthwhile.  Here I am with my husband, and agent Clare Wallace from the Darley Anderson agency.

Then we enjoyed a lovely buffet and everyone mingled, catching up with friends.

I’m so grateful to my agent, husband and children for the support they’ve shown me over recent years. It’s been a difficult time. As regular readers of this blog know, I’ve faced and tackled mental health issues since 2016 – and the eating challenges I’ve struggled with still rear their head from time to time, especially around events like this which, whilst exciting, tap into any body image/dysmorphia insecurities.

But I forced myself to face my fears, just like I did for the event last year when I was shortlisted, and I’m so glad I did.

And you can too as long as you keep telling yourself the truth – that fears are just that, and not actual fact

The winner will be announced at a fancy ceremony in London, on the 2nd March – so I’d better get dress shopping!

I’m looking forwards to seeing lots of friends there, and enjoying a night out with my husband, agent, and my publisher Canelo.

Jenny Eclair will be presenting the awards, and Anton Du Beke has also been nominated in another category!

It’s such an honour to have even a tenuous link to an author, and woman, like Jackie Collins, and I couldn’t be happier.

And to celebrate Knowing You has been discounted to 99p for a limited time!

Here I am, alongside the other nominees!

Decide whose story it is. This isn’t just about point of view. My latest release, The Christmas Calendar Girls, is written in the first person, from journalist Fern’s perspective, but the story is also about the journey of new  man in town Kit. Fern must move on from the death of her husband. Kit must move on from a troubled, secretive past. Think about who you really want the reader to connect with. It is those characters you want them to invest in, so that their heart is in reaching the end and finding out if everything is resolved – or not.

Ask yourself to what degree you want those significant characters to change during the course of the chapters – because change they must. Otherwise what is the point? The character/s you really want your readers to be interested in must, in my opinion as a reader and writer, go on a journey, learn something about themselves and in some way be different by the end. Strong character development, as the plot plays out, is one of the important things that will hook your reader.

I’ve just read a beautiful story called The Girl I Used To Know by Faith Hogan. It is about two neighbouring women. One must overcome the present. One must overcome the past. It is watching this process of change, in them both, that made the read so compelling.

Are the stakes high enough? This change your characters undergo can’t be too easy to achieve – they must suffer for it! Overcome challenges. Nearly fail. Feeling like giving up. Face a degree of risk. The reader must become their cheerleader, hoping against hope that everything will work out in the end. Or perhaps the opposite…maybe one of the significant characters is not likeable and the reader is compelled to see how they change –  either through redemption or getting their comeuppance.

I’ve recently read Trickster by Sam Michaels, a great gangland story set in Battersea just as World War One is announced. It’s very much a story about female empowerment and the main character, Georgina, must find a way to be independent and consolidate her position as a woman locals respect. For her the stakes could not be higher – abuse, possibly worse – and this totally invested me in the story and made me reluctant to put the book down until I had finished it. As did the journey of one vile character, Billy. Would he change for the better? Or would he get his just desserts?

Is the concept high enough to attract the book browser’s attention? What’s the one-line premise of your story that will make someone stop to read the rest of the blurb? It doesn’t necessarily need to be really *out there* like, say Twilight – *teenage boy turns out to be 104 year old vampire*. But, essentially, this is about what makes your story stand out as different.

The Christmas Calendar Girls revolves around the concept of a living advent calendar. I’ve not heard of another romance story that contains this event. I wasn’t even sure what it was when I first heard about it! When I did research on the subject the whole idea fascinated me and I felt it would be a wonderful concept to base a novel on and that, being a little different, it might catch the attention of readers.

In other words, what is your book’s USP – Unique Selling Point? Due to the rise of the ebooks there are more novels than ever out there – why should a reader pick yours?

And finally… Have fun! This is the stage where your imagination can really run wild, before your inner critic, beta reader, agent or editor get involved!  You may need to tailor you initial ideas but get those creative juices flowing. That initial buzz  – a bit like falling in love –  should carry you through the project!

Good luck!

My new novel, The Christmas Calendar Girls, a contemporary romance, came out last Thursday 3rd October. I’m so excited to finally share it with readers.

I received some lovely flowers from my publisher!

They even matched my book cover! What with husband giving me some Cadbury’s chocolate, it was a very purple day!

Thanks to everyone who has supported this novel so far. I’ve loved writing this story about friendship, kindness and community

For a large dose of the feel-good factor, click right here!

During one session in recovery services I was asked to think of something in my life that I’d achieved – and then to analyse how I’d done that. It could be anything that had taken work and time – passing an exam, frequently getting out of the house whilst feeling depressed, saving to buy house, leaving an abusive marriage… the discussion amongst the group was very interesting.

For me I thought about getting published and as I spoke the parallels between that process and getting sober appeared.

It took me eight years to get a deal. During that time I got rejection after rejection. But I picked myself up after the initial tears and kept on writing and submitting my manuscripts.

And during the first few weeks of being in addiction services I kept on stopping drinking – but slipping again. So I tried again. And again.

I remember similar senses of entitlement. When I sent off my first ever manuscript I was upset but also kind of baffled that I received a rejection… I thought that completing a novel was amazing enough to gain a publisher! In the same way, I thought it was enough to finally take the plunge and get into addiction services. I expected the group sessions to magically get me sober; that I was kind of owed that recovery in the same way I’d thought, all those years ago, that I was owed a publishing deal.

Then it hit me about six weeks into treatment: I was going to have to do this myself – albeit with the facilitators’ advice. And I was going to have to work bloody hard at it – just like the writing. No one else would write and polish and submit my novels. It was important to learn my craft and take advice form other authors and How To books etc etc… but, ultimately, it was going to be down to me.

There were big hurdles along the way to achieving both my goals of being published and staying sober. An agent chased me at one point but, ultimately, told me to move on, they were no longer interested. And, three months into recovery, I relapsed. Both of these set-backs were hard and getting through the first helped with the second. Trying to get published had taught me there was no point in pity parties. All I could do was pick myself up and carry on working towards my goal.

That’s the key. Taking it one day at a time. If I’d thought ahead when I’d first started writing, and considered that it might take me YEARS to get a deal, I wonder if I’d have carried on. And when I first went into addiction services would I have stayed there if I’d known about the day to day, month to month, year to year, challenges ahead?

Because it has been hard. The first half of this year was very wobbly for my recovery. But I got through it, one day at a time, not thinking about the future, not thinking about the past.

A therapist suggested I write a positivity diary to help with my mental health issues. Each day I was told to write down a couple of good things about myself. It was hard at first but, over time, it helped change my low opinion of myself. So if you are struggling to get published, do the same to make yourself realise that you ARE  progressing. Perhaps today you finished a difficult chapter or took another rejection on the chin. Write that down. Or keep a daily word count, however big or small. It’s the sum of all these very important little things that, in time, will help you achieve the bigger ones.

Of course, one can never get complacent. Even though I’m about to have my 12th novel The Christmas Calendar Girls published, I am only ever one breath away from a potentially bad review or a downturn in sales. Even though I am 1000 days sober I am only one breath away from relapsing again. The working hard and learning must never stop.

Good luck with your goals. Forget the what ifs and if onlys. Focus on what you are doing and achieving in the present moment and that will be all the magic you need to get there

But it also means you are thrust into an environment where you are ranked against everyone else in terms of success and popularity, just like you are as a teenager in the classroom. This can, inevitably have a downside. But first of all let me explain my comparison.

Publishers remind me of teachers. They can be seen to have *favourites*. Some can hold you back. Others can push you and your career forwards. On the whole I’ve been very lucky with my experiences with my three publishers, and I’ve been chuffed with the success they’ve helped me achieve, including two Top Ten AmazonUK Kindle bestsellers. But I’ve heard of other authors experiencing, for example, editors that don’t reply to emails, promises of marketing that don’t materialise or publishers’ Twitter feeds that rarely feature their books…

Agents are the prefects or peer mentors. They’ve got your back. They are someone to go to when the going gets tough – to give you advice or perspective. They are a go-between and can talk to the publisher on your behalf if there is anything you aren’t happy about.

Other authors are the classmates – there are those who like the same subjects as you, those who don’t; the tight cliques and the loners; the populars who look as if they are having 24/7 fun and success; those who have to work all hours to move forwards – those who don’t; the frustrated big dreamers and content pragmatists.

Amazon rankings are the exams and tests – within a few weeks of starting high school everyone knows what position they are in, compared to everyone else.  I can’t think of another job where you are ranked by a number, day in day out against your peers.

Best friends are best friends. They support you. They help you commiserate and celebrate.

Whilst it’s great to belong to a body of people who are passionate about learning their craft and achieving the same end goal, how can you happily navigate the challenges this environment might throw up?

Simply having awareness is a great thing. Before I got my first deal, I never realised, for example, that publishers might favour certain authors and give them more attention and a larger chunk of their budget. I didn’t realise that publishers sometimes paid to have particular books placed in shops at a certain chart position. It was naive of me really. But I don’t think I actually thought of publishing of a business. It was simply a dream machine!

Now it makes sense. Although having said that, some of the newer publishers, predominantly digital-first, have made it part of their mission statement that they treat all their authors equally. So there has clearly been some awareness, on the part of the industry, that this is very important to writers.

Get yourself an agent. Mine has always got my back. Has helped me avoid some bad decisions. Has dealt with publishers when there have been disappointments or things haven’t gone to plan. It’s definitely helped lessen the stress. And, of course, an agent does many other things such as helps shape your long-term career.

Accept that – like at school – your peers are a diverse bunch, and SO ARE READERS. You’ll find your niche.  And realise that almost every author, at some stage, faces rejection, poor sales, bad reviews, an unrenewed contract… I’ve often been surprised by the story behind some of the social media fronts (as I’m sure people were surprised when I came out about my own issues in 2018). Sometimes all is not what it seems. Only a few authors don’t face career peaks AND troughs. There is lots of fun to be had, as an author, but it’s not realistic to expect that 24/7.

Don’t obsess about rankings! It’s a hard one, I know. Limit yourself to looking only a certain number of times a day or week. There is so much more to how good a book is – such as reviews or touching readers’ lives, in the same way that, at school, there is so much more to a pupil than how well they can do in a written exam.

Keep your best friends close and support them back in the way they support you.

Of course, getting published isn’t actually going back to school. There are no mean girls (or boys!). It’s a wonderfully supportive community and within that I include fellow authors, aspiring writers, editors, agents, readers, bloggers… My career, to date, has given me lots of joy. Every new release is a whirlwind and I’m currently enjoying the preparations for the upcoming publication of my festive novel, The Christmas Calendar Girls.

It’s an exciting time – just like it’s exciting starting high school and moving onto the next stage of your life. The industry isn’t out to get you. But you need to get yourself a realistic view of it as a business. AND you need to find a set of  helpful tools – and people –  in order to surf the ups and downs